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Tampilkan postingan dengan label Movies. Tampilkan semua postingan
Tampilkan postingan dengan label Movies. Tampilkan semua postingan

Sabtu, 21 Juli 2012

10 Fakta Tersembunyi Seputar The Dark Knight Rises


CiriCara.com - Film terakhir trilogi Batman arahan Christopher Nolan hadir mulai hari ini, Jumat (20/7), di bioskop-bioskop Nusantara. Setelah penayangan perdananya di Amerika Serikat, film bertitel The Dark Knight ini panen pujian dari para kritikus film. 

Banyak yang menilai film ini mampu menggelorakan gairah para penontonn. Aksi Christian Bale, Anne Hathaway, dan Joseph Gordon-Levitt juga dipuji sejumlah pengamat film. 

Tetapi, ada pula kritikus yang tidak puas setelah menonton film ini. The Daily Mail hanya memberi dua bintang pada film kelam ini karena jalan cerita yang terlalu panjang dan kurangnya humor yang ditampilkan. 

Terlepas dari kritik-kritik tersebut, The Dark Knight Rises memang layak menjadi tontonan akhir pekan karena menjadi penutup trilogi Batman yang fenomenal. Sebelum kamu datang ke bioskop-bioskop terdekat, kamu perlu tahu beberapa fakta menarik seputar The Dark Knight Rises yang jarang diketahui orang seperti dikutip dari IMDb berikut ini:

1. Christopher Nolan merupakan sutradara pertama yang menyelesaikan trilogi film Batman. 

2. Christian Bale menyatakan ia tak akan mau bermain sebagai Batman jika ada Robin di situ. 

3. Christian Bale merupakan aktor pertama yang bermain di tiga film Batman secara beruntun. 

4. Artis beken seperti Angelina Jolie, Natalie Portman, Jessica Biel, Charlize Theron Emily Blunt, Vera Farmiga, Gemma Arterton, Abbie Cornish Eva Green Kate Mara, Blake Lively Charlotte Riley, Olivia Wilde, dan Keira Knightley diaudisi untuk peran sebagai Selina Kyle, namun Anne Hathaway berhasil mendapatkan peran. 

5. Naomi Watts dan Rachel Weisz dipertimbangkan untuk bermain sebagai Miranda Tate, namun akhirnya Marion Cotillard yang berhasil mendapatkannya. 

6. Robin Williams sebelumnya dirumorkan akan berperan sebagai Hugo Strange. 

7. Tom Hardy diaudisi untuk memerankan Bane karena Christopher Nolan menilai perannya dalam RocknRolla amat bagus. 

8. Joseph Gordon-Levitt, Leonardo DiCaprio, James Holzier, Ryan Gosling, dan Mark Ruffalo dipertimbangkan untuk memerankan John Blake, namun Gordon-Levitt lah yang akhirnya mendapatkan peran. 

9. Menurut Nolan, Bane dipilih untuk memerankan musuh Batman untuk mengetes mental dan fisik Bruce Wayne. 

10. Untuk mempersiapkan peran sebagai Bane, Tom Hardy mempelajari banyak teknik beladiri dan menambah berat 30 pon. Itulah kesepuluh fakta menarik seputar Batman yang jarang diketahui orang. Sudah siap menonton?


sumber: ciricara.com

Senin, 09 Juli 2012

Spider-Man Puncaki Box Office

The Amazing Spider-Man
Ghiboo.com - Seperti yang sudah diprediksikan oleh para pengamat film, The Amazing Spider-Man akhirnya sukses bertengger di puncak Box Office Chart akhir pekan lalu dengan menggeser film Ted.

Hanya berselang enam hari dari waktu perilisannya (Selasa, 3/7), film The Amazing Spider-Man telah sukses meraih pendapatan sebesar $65 juta atau sekitar Rp 611 milyar, mengalahkan penghuni puncak Box Office Chart pekan sebelumnya yaitu Ted dengan raihan pendapatan sebesar $54.1 juta atau sekitar Rp 507,7 milyar.

Melirik angka pendapatan pekan pertama yang fantastis ini, maka The Amazing Spider-Man telah berhasil memecahkan rekor sebagai film dengan pendapatan Box Office pekan pertama terbesar sepanjang masa, mengalahkan pemegang rekor sebelumnya Ted.

Film yang dibintangi oleh Andrew Garfield, Emma Stone dan Rhys Ifans mengisahkan kehidupan masa lalu Peter Parker saat duduk di bangku sekolah. Peter berusaha menemukan jati diri dan petunjuk mengapa ayahnya menghilang saat ia masih kecil.

Pada suatu hari, ia digigit seekor laba-laba di sebuah laboratorium, lalu ia berubah menjadi Spider-Man. Ia pun harus menghadapi The Lizard, yang ternyata berhubungan dengan rahasia masa lalu ayahnya.

Untuk peringkat runner up Box Office diduduki oleh film Ted. Film besutan sutradara Seth Macfarlane ini harus rela turun satu peringkat dengan raihan pendapatan sebesar $32.6 juta atau sekitar Rp 306 milyar.

Peringkat ketiga masih diduduki oleh film Brave. Film animasi besutan sutradara Mark Andrews dan Brenda ini bertahan di peringkat ketiga selama dua pekan berturut-turut.

Pekan ini film Brave meraih pendapatan sebesar $20.2 juta atau sekitar Rp 190 milyar, lebih rendah dari pekan sebelumnya yaitu sebesar $34 juta atau sekitar Rp 319 milyar.


Seperti dilansir Imdb.com, Berikut daftar peringkat Box Office pekan ini:
  1. The Amazing Spider-Man (2012), dengan raihan pendapatan sebesar $65 juta atau sekitar Rp 611 milyar
  2. Ted (2012), dengan raihan pendapatan sebesar $32.6 juta atau sekitar Rp 306 milyar
  3. Brave (2012), dengan raihan pendapatan sebesar $20.2 juta atau sekitar Rp 190 milyar
  4. Savages (2012), dengan raihan pendapatan sebesar $16.2 juta atau sekitar Rp 152 milyar
  5. Magic Mike (2012), dengan raihan pendapatan sebesar $15.6 juta atau sekitar Rp 147 milyar
  6. Madea's Witness Protection (2012), dengan raihan pendapatan sebesar $10.2 juta atau sekitar Rp 96 milyar
  7. Madagascar 3: Europe's Most Wanted (2012), dengan raihan pendapatan sebesar $7.7 juta atau sekitar Rp 73 milyar
  8. Katy Perry: Part of Me (2012), dengan raihan pendapatan sebesar $7.15 juta atau sekitar Rp 67 milyar
  9. Moonrise Kingdom (2012), dengan raihan pendapatan sebesar $4.64 juta atau sekitar Rp 44 milyar
  10. To Rome with Love (2012), dengan raihan pendapatan sebesar $3.5 juta atau sekitar Rp 33 milyar
sumber: ghiboo.com

Rabu, 13 Juni 2012

As the credits roll, some movies speak geek


[SPOILER WARNING: This post talks about the end of "The Avengers" as well as a few other well-known movies of years past. Read at your own peril.]
When the end credits start to roll after big budget summer movies and most audience members get up to leave, sit a while and you'll notice that a select group of moviegoers stay glued to their seats.
Now, it may be that these people just enjoyed the movie so much that they want to see the names of everyone responsible. But most of the time – as with "The Avengers," which has now grossed enough worldwide to be the fourth-biggest movie of all time – it's because there's still a little bit of movie left.
More and more, those post-credit scenes are aimed directly at the geeks in the audience.
For example,  the villain who was pulling the strings the entire time in "The Avengers," is revealed halfway through the credits, but he would only be known to the hardcore Marvel Comics fans watching. iReporter Cherry Davis told CNN Geek Out that she "literally screamed" when she saw that scene.
"I felt like the credits bonus was the ideal place for a shout-out and thank you to fans, a tease for the upcoming films and that it serves to invite people who aren’t as familiar to educate themselves about the grander universe of Marvel," saidScreenrant.com writer Jennings Roth Cornet (who admits that such a scene, aimed directly at Marvel geeks, could potentially be "off-putting" to the mainstream audience).
It was only the latest in a tradition of post-credit scenes - often called "Easter eggs" or "stingers." Since 2008's "Iron Man," Marvel movies hinted at what was to come as Samuel L. Jackson's character Nick Fury assembled a dream-team of superheroes.
"For Marvel geeks, seeing the hammer lying in a crater [at the end of 'Iron Man 2'], seeing Nick Fury reveal a glowing cube in a briefcase [at the end of 'Thor'] – these were all pretty exciting signs of a larger superhero universe," said iReport Awards nominee and comic book historian Alan Kistler.
Collider.com managing editor Matt Goldberg said, "Geeks knew 'Thor' was coming in 2011, so when they saw [the hammer] Mjolnir after the credits in 'Iron Man 2,' they got giddy. [These scenes are] a coming attraction aimed directly at people who already know what's coming."
"They're like a door prize for sitting through the movie," said iReporter and movie critic Richard Crouse. "Stay to the end and you get rewarded."
"Avengers" director Joss Whedon even poked fun at these post-credit scenes by adding a second one to the movie, which was just a shot of the superhero team eating.
And yet, sometimes that reward is bittersweet. "I’m personally a bit sensitive to marketing tools and perceived manipulations, so as much as I respect the strategy there is something about it that is a bit inherently off-putting to me," said Cornet. "I don’t like to see passion manipulated. Nor do I like to see the sometimes negative results of polarizing responses to things."
Even so, she said, "It is interactive and a geek/gaming culture needs that. It invites fans into a speculation that becomes almost like unofficial [fanfiction]. They’ve invited us to become a more intimate part of the franchise and that demonstrates a tremendous understanding of the needs of contemporary audiences."
Added iReport Awards nominee Omekongo Dibinga, "The hardcore geeks needed it more than regular moviegoers."
Marvel Studios' series of "Avengers" movies hardly invented the post-credits scene, or even the surprise shot at the end of a movie (that goes back to "Carrie" – as noted by iReporter Zennie Abraham, or even further to movies like "Invasion of the Body Snatchers").
"X2: X-Men United" ended with a shot of a brightly lit phoenix in a lake, something of a head-scratcher for casual viewers, but a secret code for longtime "X-Men" comic book readers that the character, Phoenix was coming. This has beencited as the beginning of the current spate of superhero movie "stingers."
"I think they’ve been crucial to branding Marvel as a dynamic cinematic franchise with long-term goals and plans that will, indeed, eventually pay off," said Cornet.
At this point, fans are trained to expect it.
"I think fans know the kind of movie that might have a post-credits scene," said Goldberg. "If it's a comedy or a blockbuster, then there's a 50-50 chance there will be a post-credits scene. If the movie is a sequel to a film with a post-credits scene, then the odds go up to probably 90%."
Not all of them are winners, though: The post-credits scene for "X-Men: The Last Stand," which suggested that Professor Xavier may not be dead, has yet to pay off.
"As long as there hasn't been a crucial piece of information provided in this scene, then fans will be OK," said Goldberg. "However, there will be backlash if the scene is unearned and sets up a major plot point for the sequel."
Dibinga pointed to the post-credits scene of "Captain America: The First Avenger," which turned out to be a teaser trailer for "The Avengers."
"At that point I was annoyed because I wished they would sometimes let the movies stand by themselves."
Then, there was Tony Stark's appearance at the end of 2008's "Incredible Hulk."
"It wasn't as strong a set-up for things yet to come," said Kistler who admits that while fun, the scene "didn't really go anywhere."
Kistler also noted that the "Iron Man 2" scene didn't ultimately accomplish much, saying it "was nothing more than telling us 'Thor is coming out soon.' So those seemed like wasted opportunities."
source: geekout

The legacy of 'men' in black


Agents J and K from the "Men in Black" movies make sure to neuralyze the situation.  
Editor's note: Aaron Sagers is a New York-based entertainment writer and nationally syndicated pop-culture columnist. He has specialty knowledge in "paranormal pop culture," has lectured at conventions nationwide on the topic and is a media pundit on supernatural entertainment. He covers pop culture daily at ParanormalPopCulture.com and can be found on Twitter @aaronsagers.
They are super-secret agents who sacrifice their identities and dedicate themselves to safeguarding humanity from extraterrestrial activity, all while operating undetected in the background of a society they are sworn to protect.
Starring Will Smith, Tommy Lee Jones and Josh Brolin, “Men In Black 3” is the new installment of the science-fiction film franchise in which “MIB” agents routinely save the planet from alien threats. In the latest entry, which is heavy on time travel, agents J (Smith) and K (Jones, and Brolin as the younger incarnation of the character) rely on shiny weapons to get the job done. And to keep the average citizen from freaking out about aliens, they occasionally have to erase memories using their handy gadget, the neuralyzer.
But don’t confuse the heroes of the “Men In Black” movies with the nefarious men in black suits that occupy a far larger space in the consciousness of people who believe in aliens and UFOs.
The source material for the "Men in Black" movies was Lowell Cunningham’s early '90s comic book. The comic portrays MIB as agents who track paranormal happenings and murder witnesses to contain a situation - obviously the funny good guys of the movies are a departure from the original.
The comic's treatment hews closer to other MIB theories found in popular culture (and we’re not talking about Johnny Cash or Jacob’s brother from “Lost”).
The MIB were popularized in Gray Barker’s 1956 book “They Knew Too Much About Flying Saucers.” Barker's MIB emerge in 1947 after a UFO crash in Maury Island, Washington, which coincides with the “Roswell Incident” in New Mexico. These MIB would collect data about UFOs and alien activity and threaten witnesses to keep quiet about what they saw.
Thanks to their uniform of dark suits with ties, sunglasses and hats, American folklore has proliferated the belief that MIB were federal agents. Some stories claim people encountered MIB that were also extremely pale, lacked eyebrows, and used odd speech patterns (in a very "Fringe" kind of way).
Even the descriptions of not-quite-right MIB - like the diminutive one with the cackle who may have appeared in Point Pleasant, West Virginia, around the time of the Mothman sightings in 1966-67 – convinced  believers that if they weren’t feds investigating extraterrestrials, the MIB were aliens themselves.
Other theories within the UFO subculture posit that MIB are time-traveling or inter-dimensional beings popping in to observe (or warn, or control) us. The supernaturally inclined even speculate MIB could be demonic manifestations or Shadow People entities that have appeared to humans throughout history.
Whether they are identified as evil agents, aliens, demons or G-men, the MIB are a recurring archetype within entertainment, and are rarely portrayed as benevolent. As a character trope, they resonate with pop culture junkies because they are the personification of shadowy forces at work. Moreover, they represent a mysterious, yet powerful, “Them.”
Dressed in funereal fashion, with dark sunglasses that prevents eye contact – and thus human connection –  they are never like “Us.” It makes sense, then, that some of the best MIBs in pop culture are either alien or inhuman. And when they are human, they are operating outside the law.
If the MIB do exist, they are hiding in the shadows. Still, they can be found everywhere in pop culture, and these are their 10 best appearances.
"The Blues Brothers" (1980)

MIB: Jake and Elwood Blues

“Joliet” Jake (John Belushi) and Elwood Blues (Dan Aykroyd) are musically inclined MIB brothers who operate far outside of Chicago law. In order to raise money and save an orphanage from closing, they assemble a team of agents to perform a rhythm-and-blues show – all the while evading pursuit by authorities, neo-Nazis, a vengeful ex-fiancee and a country music act. Their vehicle of choice, a 1974 Dodge Monaco sedan, might have a connection to alien tech and is able to perform feats such as temporary flight and flipping. While they show no evidence of inhuman abilities, they seem to be on a mission from God, are preternaturally cool with and have an uncanny ability to survive otherwise-lethal situations.

Quote: “It's 106 miles to Chicago, we got a full tank of gas, half a pack of cigarettes, it's dark ... and we're wearing sunglasses.”

"The X-Files" (1993-2002)

MIB: Syndicate, Majestic 12, Men In Black

When FBI agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) go down the rabbit hole of X-Files and begin investigating alien and other unexplained happening, they encounter a bevy of shady characters who fit the Men In Black model. As one of the prominent figures of the Syndicate shadow government – dedicated to covering up evidence of alien life and prepping Earth for an E.T. colonization - Cancer Man/Cigarette-Smoking Man (William B. Davis) is a villainous human uber-MIB.

Though he eventually goes rogue from the Syndicate, and is then re-recruited, former FBI agent Alex Krycek (Nicholas Lea) is an MIB assassin who answers primarily to Cancer Man. Krycek is human but does appear to have inhuman abilities during his final appearance on the show. The Crew-Cut Man (Lindsey Ginter) and Quiet Willy (Willy Ross) are other human MIB killers for the Syndicate. Meanwhile Syndicate MIBs Mr. X (Steven Williams) and Deep Throat (Jerry Hardin) actually proved helpful to Mulder in uncovering secrets about alien involvement, though they both seemed to have their own agendas. Following the Roswell Incident, a U.S. government agency called Majestic 12 launched to cover up UFO incidents and to adapt alien tech for human use.
Some of the members of Majestic actually refer to themselves as Men In Black, including Morris Fletcher (Michael McKean) whose job is to keep mentions of Area 51 out of the press. Fletcher claims to be the inspiration for Tommy Lee Jones’ Agent K character in Men In Black (and says he coined the term “Bermuda Triangle”).
The most likely alien MIBs on “The X-Files” are Jesse Ventura and Alex Trebek. Appearing as “Man In Black 1” and “Man In Black 2,” they wear trenchcoats and fedoras, behave oddly, and, well, look like Alex Trebek and Jesse Ventura. They appear to coerce a UFO witness, and later Mulder, that what they saw what not as it seems. Trebek and Ventura also possess a high-level of scientific knowledge and the ability to put humans into a comatose state.
Quote [from Man In Black Ventura]: “Some alien encounters are hoaxes perpetrated by your government to manipulate the public. Some of these hoaxes are intentionally revealed to manipulate the truth-seekers who become discredited if they disclose the deliberately absurd deception.”
"Pulp Fiction" (1994)

MIB: Vincent Vega, Jules Winnfield

Vincent (John Travolta) and Jules (Samuel L. Jackson) are a pair of hit men who rock the black suit like a pair of reservoir dogs (except when cleaning up brain matter with The Wolf) and do their killing with extreme prejudice. While not agents for a shadowy government organization, the two are agents for shadowy mob boss Marsellus Wallace (Ving Rhames) and his criminal network. However, it should be noted that Vincent and Jules do operate in a world of unexplained phenomena. Not only must they retrieve a briefcase containing an item of unfathomable worth, but in the process of doing so, they are miraculously shielded from harm. However, at the end of the day, the duo are badass MIBs with witty banter and a lot of personality – and personality goes a long way.

Quote: “The truth is you're the weak. And I'm the tyranny of evil men.”

"Half-Life" (1998), "Half-Life 2" (2004)

MIB: G-Man

Even though the term g-man refers to a government agent, the character in the video game series “Half-Life” does not appear to be operating in the service of a human organization. G-Man appears to observe Dr. Gordon Freeman’s endeavors to close the “resonance cascade” – and evade both hostile aliens and military personnel – at the Black Mesa Research Facility. He provides helpful information, but his aims are ambiguous and he serves unseen “employers.” In addition to the abilities of time/space manipulation, he can control certain electronic machinery and is partially telepathic. G-Man has a pale complexion that starkly contrasts his dark suits, and is noticeably gaunt with odd manicured hair and a pronounced widow’s peak. He is apparently ageless, and his speech is unnatural with fluctuating pitch. The Nihilanth aliens do allude to G-Man not being human.

Quote: “Prepare for unforeseen consequences.”

"Dark City" (1998)

MIB: Strangers

In a city of never ending night, John Murdoch’s (Rufus Sewell) day gets even bleaker when he wakes up in a bathtub at the scene of a murder with no memory. Not only is he being pursued by Inspector Bumstead (John Hurt), who thinks he’s responsible for multiple murders, but he’s also wanted by the Strangers, a group of pale, androgynous creatures in black fedoras and overcoats with psychokinetic abilities. Murdoch slowly regains his memories of his wife (Jennifer Connelly) and childhood, along with his own psychokinetic talents. He discovers his city is restructured nightly by the Strangers, and enlists the help of Dr. Schreber (Kiefer Sutherland). As Murdoch learns the nature and goals of the Strangers, he also uncovers the truth behind his own reality and the entire fabric of his city. The Strangers have a classic not-quite-human MIB appearance (eyebrows definitely not included) and are not members of a government authority; their aims are very alien.

Quote: “It seems you have discovered your unpleasant nature.”

"Matrix" (1999)

MIB: Agent Smith

It is the year 2199, and highly intelligent, sentient machines have enslaved humanity and placed them in a catatonic state, where humans are then harvested for their bioelectrical energy. Meanwhile, humanity’s consciousness exists within a virtual reality version of 1999. Eventually a group of human resistance fighters become aware of the Machine reality, and begin to manipulate the physics of the virtual world, as well as learn to unplug and enter the “real world.” The Machines dispatch Agents - essentially superpowered, nearly omniscient computer program "antibodies" that look like MIB with very stern expressions - to deal with the threat posed by resistance leader Morpheus (Laurence Fishburne) and hotshot recruit Neo (Keanu Reeves). Agent Smith (Hugo Weaving) is the most advanced of his kind, and can slip in and out of space and slow down time. A lethal, intimidating force that cannot be evaded, Agents are more powerful than (most) humans.

Quote: “Human beings are a disease, a cancer of this planet. You're a plague and we are the cure.”

"Fringe" (2008-2012)

MIB: The Observers

Having appeared in every episode of Fringe, The Observers are beings who seem to possess telepathic abilities and can apparently travel through time and space. They are pale, bald and lack eyebrows; they wear black suits, with a fedora and sometimes sunglasses. The Observer named September (Michael Cerveris) has a dulled sense of taste with a high tolerance to spicy foods, speaks with awkward phrasing and writes in an alien language. He seems primarily concerned with Pattern events and the Fringe division. While they have knowledge of human history and future – and have been spotted at significant historical events - they are not omnipotent. Most of the time they simply watch the activities of man, but have at least once attempted to eliminate a person from existence. Although they operate within a hierarchy and report to a superior, they maintain individual personalities and can choose to rebel. If they are not alien, there is a possibility that they are a highly-evolved human from the future.

Quote: “I have said too much, I am not supposed to get involved. I have taken you as far as I can”

"Iron Man" (2008), "Iron Man 2" (2010), "Thor" (2011), "The Avengers" (2012)

MIB: Phil Coulson

As an operative for the Strategic Homeland Intervention, Enforcement and Logistics Division (that’s SHIELD, in case you didn’t know), Coulson (Clark Gregg) looks about as straight-laced as they come. An agency man, Coulson is a nerdy fanboy who idolizes Captain America and has been called the glue of the Marvel Comics movie universe by recruiting Iron Man and Thor into the Avengers Initiative (as well as doing a few other spoilery things in the new Avengers flick). Although he is an unassuming character who can blend into the background, like a great MIB – compared to his eyepatch-and-black trenchcoat-wearing boss – Coulson is a red-blooded human. But he is also tough enough to take on a demigod and wrangle a billionaire playboy.

Quote: “This isn't my first rodeo, Mr. Stark”

"The Adjustment Bureau" (2011)

MIB: The Bureau

The life of David Norris (Matt Damon) was going according to plan – until he boarded a bus he was supposed to miss. After coincidentally reuniting with a woman from his past (Emily Blunt), Norris gets to his office early and walks in on men-in-suits from The Bureau “adjusting” a frozen reality.  Bureau men Richardson (John Slattery) and Thompson (Terence Stamp) reveal humanity has botched its gift of free will and is now kept on a plan laid out by the Chairman – which includes preventing Norris from being with the woman he loves. More than the Philip K. Dick short story “Adjustment Team,” the movie plays up the MIB element of agents and puppeteers. The Bureau-men appear human and seem to require sleep, but also possess extra-human abilities, use advanced technology and have knowledge beyond normal man. Instead of alien, they seem to belong to a “higher” power.

Quote: “We are the people who make sure things happen according to plan.”

"Doctor Who" (2011)

MIB: The Silence

Combine the Men In Black with alien Grey, with a dash of Edvard Munch’s “The Scream” and the stuff of the worst bogeyman nightmares and the result is The Silence. A religious species of aliens, Silence are tall, shriveled-up beings without mouths who wear black suits constructed of seemingly organic material. Their powers include the ability to emit an electrical energy to destroy a person. But their real power is the ability to post-hypnotically implant suggestions in the mind, and force a person to immediately forget an encounter with them. They are super parasites who have effectively controlled Earth for millennia.

Quote: “This world is ours. We have ruled it since the wheel and the fire. We have no need of weapons.”

source:  geekout

'Avengers' vindicates geek community


Chris Hemsworth, left, stars as Thor and Chris Evans stars as Captain America in "The Avengers."
Editor's note: Aaron Sagers is a New York-based entertainment writer and nationally syndicated pop-culture columnist. He has specialty knowledge in "paranormal pop culture," has lectured at conventions nationwide on the topic and is a media pundit on supernatural entertainment. He covers pop culture daily at ParanormalPopCulture.com and can be found on Twitter @aaronsagers.
So yeah, I loved “The Avengers.”
Let’s simmer on that word for a few: love. Love for a movie is a pretty significant emotion, and yet I stand by it. While not perfect (the gripes are ridiculously minor), the film was a pure joy. It delivered on the promise of a Marvel-ous adventure with Captain America, Thor, Iron Man and (finally) an awesome, Incredible Hulk.
But this isn’t a movie review.
Instead, it’s more of an “I told you so,” to Hollywood power brokers locked into the philosophy that audiences crave dark heroes and sober plot lines, and that the geeks who grew up loving the source material could not be trusted to make a blockbuster.
Nerd favorite writer and producer Joss Whedon assembled “The Avengers,”who stormed the box office last Friday. There was a sense by Sunday that everything had changed for superhero movies.
On Sunday night, Walt Disney Co., which owns the Marvel Comics characters, announced the new flick had debuted to $200.3 million (later updated to $207.4 million) – the largest all-time opening weekend for a movie (and yes, a sequel is coming). But for fanboys and comic geeks like me who had been tracking the super-group superhero movie, this was no big surprise.
OK, so it was a little bit of a surprise - a pleasant one - but we geeks had been waiting for this.
In fact, we’ve been debating, discussing and having fantasy casting sessions for the movie for years. Geeks have been so patient, waiting for a movie that could pit Earth's (and Asgard's) mightiest heroes against themselves before teaming them up to battle a common, villainous threat.
This goes for all superhero groups and coincidental team-ups. For comic book nerds, these ultimate match-ups are fueled by years of imagining what would happen if comic book universes faced off (Superman vs. Thor, Captain America vs. Batman, etc).
"The Avengers" is supergroup movie on an entirely new scale. Outside of animated features, the only time we've really seen team-ups has been in disappointing franchise films like "The Fantastic Four." Additionally, Marvel has taken its time by slowly building their universe through stinger scenes and Easter eggs in their other movies, beginning with 2008s "Iron Man."
Moreover,  there is this desire within the nerd community to share their love of these fantastic characters and the infinite possibilities of a team like the Avengers. Whedon's the one who has been able to help us communicate to all our friends and family, "See? This is what I have been talking about!"
I spent my comic book collecting youth wishing that a fellow nerd would create a movie for us. Be true to the material, we all thought, and others would fall in love as well. And now that it's here, it is as if the clouds parted and our new, four-color mythological gods of the funny books had sprung to life on the movie screen just as we’d always hoped.
"The Avengers" movie feels like an Avengers comic.
This isn't to say that comic books haven't spawned some truly visionary films.
As much as I’ve enjoyed Christopher Nolan's take on the Caped Crusader in “Batman Begins” and “The Dark Knight” – and actively look forward to the conclusion of his series in “The Dark Knight Rises” – I never walked out of the new Batman movies feeling the elation I felt after "The Avengers."
“Dark Knight” was great and masterfully executed, and I remember chatting on the way out of the theater with others also impressed with the serious film, but my fanboy glee was absent.
Exiting “The Avengers” was another matter altogether.
It is a popcorn-movie, not a film, but people were excited, inspired, giddy, animated as they walked out of the theater. There even seemed to be a few newly-converted geeks. I have caught glimpses of this before in varying degrees – during moments of “Superman Returns,” “Spider-Man 2,” “X-Men 2,” “Iron Man” and the other Marvel precursors to “Avengers” – but never like this.
The joy I felt after watching "The Avengers" was enlightening: I think I’ve had my fill of “gritty realism” when it comes to comic book heroes. Nolan has done a great job at showing that a man can become a symbol in an ultra-realistic world, and he did it with an epic scope and without CGI effects, but I would still like to believe a man can fly.
Likewise, I think audiences would like to believe a demi-god alien can crash to Earth, a super soldier clad in stars-and-stripes can survive being frozen for 70 years and that a Hulk can smash. A little magic and a fantastical adventure is as good for the geek as it is for the muggle; perhaps it is no coincidence that the last biggest opening weekend record holder was another magical adventure: “Harry Potter and the Deathly Hallows – Part 2.”
Hollywood should listen to the geeks more often - if only to ensure the superhero genre continues to go up, up and away in quality and box office receipts. 

source: geekout

Snow White, the milquetoast heroine


Kristen Stewart as Snow White.

Editor's note: Aaron Sagers is a New York-based entertainment writer and nationally syndicated pop-culture columnist. He has specialty knowledge in "paranormal pop culture," has lectured at conventions nationwide on the topic and is a media pundit on supernatural entertainment. He covers pop culture daily at ParanormalPopCulture.com and can be found on Twitter @aaronsagers.
Wielding a sword and embarking on a quest to vanquish an evil queen does not a warrior princess make. What it does make, however, is about $56 million and a top spot at the box office.
Released last Friday, the movie “Snow White and the Huntsman” is an attempt to launch a female-driven fantasy franchise. Based on the money it is pulling in so far, that attempt will likely succeed, but the movie falls far short of being a story worthy of the genre. And for fantasy nerds who have come to expect more from female protagonists, this armor-plated princess flick will not be the one to rule them all.
Within the fantasy genre, the exploration of humanity – in both its selfless acts and depraved depths – is what makes these stories of myths and magic more than just swords-and-orcs tales. J.R.R. Tolkien, Marion Zimmer Bradley, Robert Jordan, Stephen King, J.K. Rowling and many other fantasy authors know this when they put their characters on a quest.
The quest is clear with “Snow White and the Huntsman.” Instead of an animated Disney film with a porcelain-skinned heroine, this outing stars Kristen Stewart (the “Twilight” films) as the eponymous heroine from the Grimm fairy tales. The movie tries to go in a, well, grim, direction by making Snow White a virginal, innocent hero who escapes the clutches of her sorceress stepmother (Charlize Theron) and then returns to take her out.
Joining her on the journey – because the queen has been sucking life and youth from their lands – is an assassin- cum-protector Huntsman (Chris Hemsworth), seven bandit dwarves (including Bob Hoskins, Toby Jones, Ray Winstone and Nick Frost) and the fairy magic of the forests which has deemed Snow “The One.”
But trading in on a reinvigorated fascination with fairy tales, and the popularity of “Twilight” (Stewart as Snow sports her same Bella Swan grimace and is caught between two suitors), the film fails to develop a believable heroine on a mission. It opts instead for a character who rapidly transforms from a pouty ragamuffin captive to a pouty source of light magic, and leader of men.
After a decade of quietly serving as a prisoner in a tower and coming- of- age, Snow gives into a flash of violence before shifting back into a meek girl. But Stewart’s princess is not only the fairest of them all;, she also appears to be the most superficial. Like the pristine surface of freshly fallen snow, she lacks the emotional drive to make fantasy fans care about her character.
Where is the rage and bitterness over having her father’s kingdom usurped or her youth robbed? Is there no desire to spike the head of a creeper who attempts to molest her? Is she not slightly unhinged and imbalanced – and not just shy or socially awkward – after being left to rot in a cell?
With regards to Theron’s Queen Ravenna, there is also a lack of complexity. There are brief moments that reveal how the queen became obsessed with youth and power, but how did she become so blasted evil? As a woman subjected to the rule and abuse of men, would she not have some empathy for other females? After killing her king husband, slaughtering his men, subverting the kingdom’s subjects and blackening the land, what compels her to keep Snow White alive instead of murdering her (especially when it is assumed Snow is already dead)?
Instead of addressing these questions, the film relies on interesting visual effects of light and dark magic to obfuscate the superficiality of black-and-white characters.
There are plenty of powerful and well-developed female figures to cull from in the genre. In "The Dark Tower" series, King gave fantasy nerds the character of Susannah Dean, a wheelchair-bound, vengeful heroine who overcomes multiple personalities and serious anger management issues.
Rowling created a non-magical Muggle girl who entered a world of fantasy with a fresh eye in the "Harry Potter" books; Hermione was an outcast to some, and know-it-all to others, yet became one her world’s saviors through her wits – all while maturing into a young woman. In her "Avalon" series, Bradley has several women who fight to alter, preserve or simply survive a harsh Arthurian world. Morgaine is a priestess and a lover who views an oncoming religious shift with hesitation and, eventually, pragmatism. Gwenhwyfar is her polar opposite: a character of depression, self-loathing and fear. Tolkien also gave fantasy fans complex women when he wrote Eowyn and Arwen in the "Lord of the Rings" series.
And over on HBO, “Game of Thrones” – based on George R.R. Martin’s book series, “A Song of Fire and Ice” – just wrapped its second season where heroines and villainesses (of various shades and motivations) not only share the stage with men but often dominate it. Instead of simply being character templates, the women of “Game of Thrones” are, at turns, likable and loathsome. They feel real despite existing in a fantasy world.
In works of fantasy, a widowed dragon queen can be a fierce ruler while also acting like a petulant girl. A queen can be a sexually awake woman who loves her children, but also be a conniving schemer – who relies too heavily on a goblet full of wine. A little princess can be a fighter who craves retribution, while her sister can slowly mature beyond being an entitled brat. Prostitutes and wildlings can likewise be more than what their character types might otherwise dictate.
Fantasy nerds are used to expecting complicated female characters within the genre as much as they’re used to monsters and magic. But “Snow White and the Huntsman” misses the opportunity to join these ranks.
The film could be (and should have been) one that flipped the vulnerable princess fairy tale into a fantasy epic where a strong, believable female protagonist leads a quest against a strong, believable female antagonist. The result, however, is a movie that will not likely cast a spell against genre fans.
sumber: geekout